Faculty In the News

Simon Penny publishes " Making Sense: Cognition, Computing, Art, and Embodiment"

Making Sense: Cognition, Computing, Art, and Embodiment By Simon Penny. Why embodied approaches to cognition are better able to address the performative dimensions of art than the dualistic conceptions fundamental to theories of digital computing.

In Perfect Harmony

In Perfect Harmony - UC Irvine

L.A. Theater Review: Tom Hanks in ‘Henry IV’

Professor Holly Poe Durbin is the costume designer for Shakespeare Center of Los Angeles’ presentation of “Henry IV.”

Rauch delivers a rousing ‘Oklahoma!’

Let’s cut straight to the chase. Bill Rauch’s production of “Oklahoma!” by Rodgers and Hammerstein is a total delight. That’s not too surprising; when you put together a person of Rauch’s creative insight and a classic musical as vaunted as this one, it’s bound to please, and it does, with a warm audience reception that manifests with roaring applause from the very first song and continues until the end of the show. Costuming is wonderful, and casting is spectacular — and a talented sextet under conductor Daniel Gary Busby provides superb accompaniment to the action.

Center Stage: Alvin Ailey American Dance Dazzles at Segerstrom Center

This opening night for Alvin Ailey American Dance Theater at Segerstrom Center for the Arts was different than others. There was the same buzzing energy and the house was packed, as usual, but as the lights dimmed and straggling audience members rushed to take their seats, a sentimental mood set in.

It was announced that the company would perform the show in dedication to the late Donald McKayle, a renowned choreographer who set numerous works for the company. McKayle, a longtime dance teacher at UC Irvine’s Claire Trevor School of the Arts, had just passed away a week earlier.

Remembering Donald McKayle

Donald McKayle was a legend in dance, with a long list of accolades, awards and accomplishments well-documented after his recent passing. But those of us who were lucky enough to be his students, either in a classroom or rehearsal studio, know he displayed his greatest talent in his role of master teacher.

here are hundreds, if not thousands, of dancers around the world who were lucky enough to work with him and many have stories they'd like to share. These are not necessarily stories of a man who won Tonys or broke through walls in the world of modern dance, but stories of their teacher, Donald McKayle.

I am one of them. I met Mr. McKayle in 2004 when I was a graduate student in dance at the University of California, Irvine. I was his teaching assistant for two years while studying at UCI and, upon graduation, he asked me to begin restaging his works around the country.

He was also the man who performed the wedding ceremony for my husband and me. I'll never...

Women Fighting Sexism in Jazz Have a Voice. And Now, a Code of Conduct.

The We Have Voice Collective, a new group of female and non-binary musicians in jazz and experimental music, plans to release a Code of Conduct on Tuesday that aims to build upon the conversations sparked by jazz’s own #MeToo movement, clearly articulating what a more equitable workplace might look like and setting expectations for change.

The first wave of adoptees includes Winter Jazzfest in Manhattan, the Banff International Workshop in Jazz & Creative Music and Biophilia Records. The flutist Nicole Mitchell, a collective member, suggested that adherence to the document could become “a mark of distinction, and a certain kind of elegance” for institutions in the jazz world.

A Map To The Line, And How Not To Cross It: A Code Of Conduct For The Performing Arts

This past fall, when news of the Harvey Weinstein scandal was galvanizing the #MeToo movement, some of us who work in the performing arts had a peculiar experience: Colleagues started asking if they'd sexually harassed us. A few of these colleagues may have been attempting to head off allegations, but many of them genuinely didn't know if they'd crossed a line.

There are 14 musicians, all connected to the jazz world, who came together to address this concern in a specific way. They have formed a collective, calling it We Have Voice, with the purpose of sharing their priorities. Now, the group has created a document to bring attention to its mission.

Some of these musicians were old friends; some were only vaguely familiar to one another. As friends and colleagues spoke, their network grew to include 14 women: Fay Victor, Ganavya Doraiswamy, Imani Uzuri, Jen Shyu, Kavita Shah, Linda May Han Oh, María Grand, Nicole Mitchell, Okkyung Lee, Rajna Swaminathan, Sara Serpa...

Kei Akagi performs at the Jazz on the Odra Festival in Wroclaw

Chancellor’s Professor of Music Kei Akagi (piano) performs at the Jazz on the Odra Festival in Wroclaw, Poland on April 28. Joining him will be fellow UCI colleagues Kojiro Umezaki (shakuhachi) and Darek Oles (bass), as well as drummer Tamaya Honda from Tokyo. The group will present music from Akagi’s new album release Aqua Puzzle: Contemporary Asian Perspectives in American Music.

Oregon Shakespeare Festival review: ‘Oklahoma!’ a rousing and poignant work

The Oregon Shakespeare Festival production of Rodgers and Hammerstein’s beloved musical “Oklahoma!” is a beautifully realized experience that dazzles from start to finish. 

The musical numbers here are vibrant and well executed, with a live band led by conductor Daniel Gary Busby bringing this classical score vibrantly alive. 

“Oklahoma!” opened Sunday, April 22 at the Angus Bowmer Theatre at OSF in Ashland, Oregon, and runs until Oct. 27.

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