Faculty In the News

What They Found: Our Contributors Share Their 2018 Discoveries

"Ashley Clark, film programmer and critic

In March, acting on a recommendation from the website Screen Slate—an increasingly essential resource in this rep coverage–starved age—I took myself to Manhattan’s Electronic Arts Intermix to see a shorts program by a grandly named video and performance artist whose work had hitherto escaped my notice: Ulysses S. Jenkins. The L.A.-based Jenkins was an early adopter of consumer-grade video cameras and used this emergent technology to conjure idiosyncratic portraits of African-American life that challenged dominant—that is to say largely racist and reductive—depictions. “Idiosyncratic,” it must be said, barely begins to describe the pick of the program, Two-Zone Transfer (1979), a discombobulating fever dream starring Jenkins and friends (including artist Kerry James Marshall), and involving blackface and minstrel imagery, hideous rubber masks (Richard Nixon!), religious preaching, an indefatigable smoke machine, and...

UCI Chamber Singers Premieres New Work at Walt Disney Concert Hall

Seth Houston, Director of Choral Activities and Associate Chair for Performance, led UCI Chamber Singers and a consortium of other performers in a world premiere performance at Walt Disney Concert Hall on Tuesday, October 9. The work, Oscillations: One Hundred Years and Forever, by New York-based composer Ellen Reid, was commissioned by the Los Angeles Philharmonic as part of its centennial celebration. UCI Chamber Singers was joined by singers from USC Thornton School of Music and the Donald Brinegar Singers, video artists Keith Skretch and Hana S. Kim, vocalists Kelci Hahn, Angelica Rowell (UCI ’18), Jodie Landau, and Joel Nesvadba, percussionist Sidney Hopson, and sound design elements. Twelve members of UCI Chamber Singers also played bell plates, which were custom made for the work. In addition to the premiere, which was presented as part of LA Fest: LA’s Newest Music and the Green Umbrella Series, the ensemble performed the work again on Thursday, October 11, as part...

Charles White’s Students on Why They—and the Art World—Wouldn’t Be the Same Without His Work

"But his impact extended beyond what White as an individual made himself. White was an instructor at the Otis Art Institute, where he taught a number of artists who have not only made names for themselves—in some instances, by continuing to work with the themes that White pioneered—but who now regularly break records at auction. Among them are megastars David Hammons and Kerry James Marshall, performance and video artist Ulysses Jenkins, and L.A.-based muralists Richard Wyatt Jr. and Judithe Hernández. All credit White with an undeniable influence on their work and life."

At the Joyce, a Rearranged Theater Brings Mystery and Orthodoxy

The “NY Quadrille” format reconfigures the Joyce Theater by turning auditorium and stage inside out. The square stage becomes the theater’s centerpiece: The audience is on both sides, as at a tennis or snooker match.

One side of the stage leads straight to a rising slope of tiered seating, with a proximity the Joyce usually lacks. But the other side ends with a sharp drop. Dancers on that side look as exposed as if on a cliff’s edge, with a gap between them and the seats.

Everything about this is so refreshing that I wish it happened more often. In 2016, when the “NY Quadrille” had its first iteration, four companies appeared in a two-week season. This year, five troupes will contribute over three weeks. The idea came from the choreographer Lar Lubovitch, who has curated both seasons.

1888 Center will feature a reading and showing of artwork by Antoinette LaFarge

This presentation focuses on Burning Time, a graphic book collaboration between writer Jonathan Alexander and artist Antoinette LaFarge, UCI Art Faculty that explores the intimacies of imagined memory and sexuality. The book consists of cycle of 8 poems and 8 associated panoramic paintings to tell the story of a young gay man arriving in New Orleans in the late 1950s to start a new life. Text and image interweave to evoke a particular time and place while also summoning the timelessness of self-exploration and desire— experience reimagined as mythic adventure. In this presentation, Alexander and Lafarge read poems and present art from the book, discuss their collaboration, and consider the possibilities of multimedia for queer storytelling.

Fall Dance Preview: From Ballet to Bach

One of J.S. Bach’s most iconic works, the Brandenburg Concertos, will be presented as a dance at the Park Avenue Armory this fall. It is one of several new works of dance to be presented throughout New York City starting this month.

WNYC’s dance critic Marina Harss spoke to Richard Hake about the upcoming season. She highlighted this North American premiere set to the music of Bach created by Belgian choreographer Anne Teresa De Keersmaeker.

"She’s a modern dance choreographer with a strong influence of minimalism," Harss told Hake. "She’s really interested in the structures underlying the music. What she sort of does is break apart all the layers, and Bach has many layers."

Harss also discussed the dances of Kyle Abraham who is presenting his first-ever work for New York City Ballet. It will debut as part of the ballet’s Fall Gala on Sept. 27.

Abraham’s company, A.I.M., will also be on stage at the Joyce Theater as part of its three-week, dance...

Joyce Theater Begins Fall/Winter 2018-2019 Season with NY QUADRILLE

After a season of thrilling and diverse programming,The Joyce Theater Foundation, Inc. (Linda Shelton, Executive Director), New York City's premier presenter of dance, proudly kicks off its 2018-2019 Fall/Winter Season with the return of the wildly popular NY Quadrille, which had its debut in the fall of 2016. The three-week engagement, performed in a transformed Joyce Theater performance space, is conceived and curated by famed choreographer and UCI Dance Faculty Lar Lubovitch, and features works by some of today's most acclaimed and celebrated choreographers/companies including John Jasperse Projects, Kyle Abraham's A.I.M, former Merce Cunningham dancers Rashaun Mitchell + Silas Riener, Donna Uchizono Company, and Beth Gill.

RDT's Season Of MANIFEST DIVERSITY Opens With The Poignant Choreography Of The Late Donald McKayle

The nation's oldest and most successful modern dance repertory company opens their 53rd season of dance in Salt Lake City with SPIRIT, October 4-6, 2018 at the Rose Wagner Performing Arts Center.

The centerpiece for this timely performance is Rainbow Round My Shoulder by the late Donald McKayle. Created in 1959, the acclaimed modern dance classic is a searing dramatic narrative set on a chain gang in the American south. Rainbow features seven men set as prisoners working and breaking rock from "can see to can't see." Their aspirations for freedom come in the guise of a woman, first as a vision then as a remembered sweetheart, mother, and wife. The songs that accompany their arduous labor are rich in polyphony and tell a bitter, sardonic, and tragic story.

Nicole Mitchell - Black Earth & Monsoon Blues

Over the last decade Nicole Mitchell has proved herself a progressive force to be reckoned with, recording a slew of albums where quality matches quantity. Her Mandorla Awakening 11 Emerging Worlds was one of the key releases of 2017 and she continues the rich vein of form with a new set, Maroon Cloud. In a wide ranging discussion with Kevin Le Gendre, Mitchell talks about the gender (im)balance in jazz, the importance of Chicago's venerable AACM and the need to speak out in the age of social media.

Jazzwise - click to read article...

UCR Arts Exhibition Examines Architecture and Painting

A new exhibition heading to UCR Arts invites viewers to contemplate the distinctions between architecture and painting.

Kevin Appel’s paintings explore the relationship between architecture and the painted image. Using photographs of tangled rebar as a ground on which to build his painting, he applies layers of paint that act as screens, compressing the perceived space and bringing to the forefront the inseparability of an artwork’s medium and the final image.